Folk Theater - Re-enactment of the Passion of Christ
Dr Abe V Rotor
Living with Nature - School on Blog
Dedicated to my townmates, particularly to the players of the Good Friday passion play on "abong-abong" or makeshift stage. These shots were taken with a palm size digital camera with 7.2 Mega pixels, photos are unedited. - avr
Golgotha where the seven last words of Christ reverberated throughout the world - the most revered moment of His life that made Christianity the world's biggest religion ever: 2.3 to 2.4 billion followers two thousand years after - and still growing.
The game cock enthusiast offers his hobby and trade; the tippler knows just how sober it is to lose oneself that he may enter into the world of spirituality - an apostle worthy of partaking in Christ's last supper.
Young centurions dreaming of bringing peace and order in a troubled world, reversing the biblical role into honor and heroism. The re-incarnated Pontius Pilate, allegory of power abuse among today's leaders, softens in the heart of a young boy whose innocence shall grow into the idealism of new young leaders.
Judas Iscariot hanging on a tree, believed to be the haunting strangler's fig or balete, likewise haunts those who turn their back against Christ. The player broke the omen, indeed a most difficult role in the stage play, by asceticism, an old principle of perseverance with meaning. The difference of a repentant Judas who took his own life with that of a neo-Judas today is that there is redemption in the latter in Christ's own way of human salvation - which is the essence of His coming as the Messiah.
In memory of the late Francisco"Boy" Peralta, local artisan, sculptor, and advocate of the yearly re-enactment of the Passion of Christ, as well as other projects. Article of same title has been published in Philippine Literature Today (textbook) by AV Rotor and K Molina-Doria 2015 C&E Publishing Inc.
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