In commemoration of Rizal's 121st Death Anniversary December 30, 2017Execution by musketry of Dr Jose P Rizal, Philippine National Hero, on December 30, 1896, at Bagumbayan, now Rizal Park ( Luneta), Manila .
By Nick Joaquin
Translated from the Spanish
Notes on Rizal’s Farewell Poem
Rizal's Last Farewell in Pilipino
After the hero’s execution, Josephine Bracken got hold of the poem and brought it with her to Hong Kong. She sold it to an American who brought it to the US. In 1908, the US War Department informed the Philippine Gov. Gen. James Smith who instructed the Philippine Government to buy it back. The poem has been translated into practically all major languages of the world, and in many dialects. Acknowledgment: Rizal and Josephine, by Gene Cabrera, courtesy of Philip Cabrera; Internet.
Land that I love: farewell: O land the sun loves:
Pearl of the sea of the Orient: Eden lost to your brood!
Gaily go I to present you this hapless hopeless life;
Were it more brilliant: had it more freshness, more bloom:
Still for you would I give it: would give it for your good!
In barricades embattled, fighting in delirium,
Others give you their lives without doubts, without gloom.
The site nought matters: cypress, laurel or lily:
Gibbet or open field: combat or cruel martyrdom
Are equal if demanded by country and home.
I am to die when I see the heavens go vivid,
announcing the day at last behind the dead night.
If you need color – color to stain that dawn with,
Let spill my blood: scatter it in good hour:
And drench in its gold one beam of the newborn light.
My dream when a lad, when scarcely adolescent:
My dreams when a young man, now with vigor inflamed:
Were to behold you one day: Jewel of eastern waters:
Griefless the dusky eyes: lofty the upright brow:
Unclouded, unfurrowed, unblemished and unashamed!
Enchantment of my life: my ardent avid obsession:
To your health! Cries the soul, so soon to take the last leap:
To your health! O lovely: how lovely: to fall that you may rise!
To perish that you may live! To die beneath you skies!
And upon your enchanted ground the eternities to sleep!
Should you find some day somewhere on my gravemound, fluttering
Among tall grasses, a flower of simple fame:
Caress it with your lips and you kiss my soul:
I shall feel on my face across the cold tombstone:
Of your tenderness, the breath; of your breath, the flame.
Suffer the moon to keep watch, tranquil and suave, over me:
Suffer the dawn its flying lights to release:
Suffer the wind to lament in murmurous and grave manner:
And should a bird drift down and alight on my cross,
Suffer the bird to intone its canticle of peace.
Suffer the rains to dissolve in the fiery sunlight
And purified reascending heavenward bear my cause:
Suffer a friend to grieve I perished so soon:
And on fine evenings, when prays in my memory,
Pray also – O my land! – that in God I repose.
Pray for all who have fallen befriended by not fate:
For all who braved the bearing of torments all bearing past:
To our poor mothers piteously breathing in bitterness:
For widows and orphans: for those in tortured captivity
and yourself: pray to behold your redemption at last.
And when in dark night shrouded obscurely the graveyard lies
And only, only the dead keep vigil the night through:
Keep holy the place: keep holy the mystery.
Strains, perhaps, you will hear – of zither, or of psalter:
It is I – O land I love! – it is I, singing to you!
And when my grave is wholly unremembered
And unlocated (no cross upon it, no stone there plain):
Let the site be wracked by the plow and cracked by the spade
And let my ashes, before they vanish to nothing,
As dust be formed a part of your carpet again.
Nothing then will it matter to place me in oblivion!
Across your air, your space, your valleys shall pass my wraith!
A pure chord, strong and resonant, shall I be in your ears:
Fragrance, light and color: whispers, lyric and sigh:
Constantly repeating the essence of my faith!
Land that I idolized: prime sorrow among my sorrows:
Beloved Filipinas, hear me the farewell word:
I bequeath you everything – my family, my affections:
I go where no slaves are – nor butchers: nor oppressors:
Where faith cannot kill: where God’s the sovereign lord!
Farewell, my parents, my brothers – fragments of my soul:
Friends of old and playmates in childhood’s vanished house:
Offer thanks that I rest from the restless day!
Farewell, sweet foreigner – my darling, my delight!
Creatures I love, farewell! To die is to repose. ~
Designed by Swiss sculptor Richard Kissling, the Rizal Monument is located near where the national hero was executed on December 30, 1896. Originally, it was called Motto Stella or Guiding Star, and was unveiled during the hero’s 17th death anniversary in 1913. Its granite base contains the national hero’s remains. A century later, the National Museum of the Philippines declared it as a National Cultural Treasure, as it had become a “preeminent national, political, historical and cultural symbol, evoking the virtues, patriotism, sacrifice, death and legacy of Rizal.” In preparation for the 121st death anniversary of Dr. Jose P. Rizal on December 30, the national hero’s iconic monument at the Luneta Park in Manila recently received a makeover from the cleaning technology of German company Kärcher.
Torre de Manila - "Photo Bomber"
A question of desecrating the memory and martyrdom of Philippine national hero Dr Jose P Rizal
The controversy touches the sensitivity of the nation and people, and casts a shadow of insensitivity to those concerned. Another reported photobombing case is a parking building at the Banuaue Rice Terraces, a UNESCO Heritage site.
Origin of the term: A photo bomber is someone who either intentionally or unintentionally ruins an otherwise normal photo. The "photo bomber" will be doing such things as: making faces, gestures, naked, or getting naked, in a costume, or doing some other equally hilarious action. The photo bomber will usually work in the background of the photo. Some of the more ballsy photo bombers will go as far as being within inches behind or even next to the people in the picture, or in rare cases, run in front of the photo.